Tag Archives: clint eastwood

Flags of Our Fathers

This was a story that had to be told. I’m not sure what you’ve heard, but it’s about that famous photograph of the soldiers raising the flag on Iwo Jima, its impact on the war, and the men behind it. It goes back and forth between their time overseas (much of it in combat) and their time in the states after the photo. There is an upcoming companion piece called Letters from Iwo Jima, which tells the Japanese side of the story. This explains why they are largely faceless (and voiceless) in this film.

I’ve heard comparisons to Saving Private Ryan, but I had a very different emotional responses to those movies. After Saving Private Ryan, I walked around shell shocked, for two days, thinking about how we should avoid war at all costs. And while the combat sequences in Flags were violent, they didn’t bother me nearly as much. Instead of walking out numb and fearful, I felt shame for the way my country treated (used, discarded) those men. I also felt a newfound respect and appreciation for the soldiers fighting for us today.

When the credits came up, I witnessed something in the audience I’d never seen before. People had started to leave, some almost at the the exits, when photos were displayed along with the credits. They were vintage photos from the war, including some photos of the men portrayed in the film. Everyone stopped and watched the photos. Not one person left before the credits finished. It was a nice communal moment.

If you like this film (and I’m sure you will, it’s a great film), I can recommend two others. The first is Tora! Tora! Tora!, a classic movie about the bombing of Pearl Harbor. It shows both the American and Japanese points of view, shot with separate American and Japanese casts and crews. It’s well edited to preserve the timeline, for which it received an Oscar nomination (as well as for sound and f/x). The other is The Best Years of Our Lives, a 1946 film about 3 men who return from the war. It does a remarkable job of illustrating the differences between your rank in the Army during wartime, and your rank in society when you return. This just swept at the Oscars, taking home seven, including Best Picture (which it also won at the Golden Globes and BAFTA).