I’m about to give you 2 free hours in your lifetime, that can be used for *any* purpose you select.
If you are tempted to watch the Netflix offering “Escape from Tomorrow,” let me save you the time that you’d spend watching it. one and a half hours of wasted time, that is now yours. I will provide you a quick summary below, if you are still curious. But please don’t be curious; this is not a bad movie that’s so “bad” that you’d want to see it. It is just bad. Even my son Michael, who’s very young and has some time to spare, gave this movie a one-star rating (he tried to stay until the very end)
Warning: Spoilers follow !!
This movie was filmed at DisneyWorld, without permission from Disney. You can see that the crowd shots are real, the venue is very real and all the actors do well in mingling with the crowds while trying to shoot their scenes. There are several extended shots of the actors in the rides, and this would have been a very easy activity to conceal. Where stealth was not an option (say, an extended dialogue scene) they put the actors in front of a blue-screen background.
This is an interesting concept, but don’t be tempted to watch the movie just for that. Watching an extended home movie gets boring fast, and the plot of the movie (an engineer going insane after being fired from his job, during a vacation at DisneyWorld) is just barely passable.
Are there interesting points? Yes. Let me outline a few but these are the only bright moments in a really dull film:
Since Disney owns the characters, music and logos, you will see from time to time a “blacked-out” part of the screen to hide the Disney name. There’s even a sonic bleep when the word Disney is uttered. Also, it is a little disconcerting (yet fascinating) to see the
It’s-A-Small-World ride being filmed with an equally annoying and cloying replacement song that is used by the film makers. However, the images of Donald, Mickey and Pluto greeting park guests is used; I guess this is in the public domain, somehow.
Having some of the Disney images turned into demonic versions of themselves (while the main character is going mad) is interesting. But these are short 1-second snippets which are infrequent.
The subplot of a former princess cast-member turning into a sexual predator gets your attention. Give this film an extra star if you’ve ever wanted to have a tryst with the Evil Queen from Snow White.
This is a 30-second sequence that you’ll remember.
Some special effects shots showing EPCOT blowing up are memorable.
The subplot of the main character stalking some teenage French babes is not memorable.
There you have it. I hope I have not piqued your interest; my descriptions are probably more entertaining than the film itself.
If you want further information, here’s the review
from RogerEbert.com; I’m afraid it will just increase your interest in the film.