Category Archives: Music

Mindless Self Indulgence

Upon first hearing Mindless Self Indulgence (MSI), I immediately wanted to learn more about them. And when I had done so, I knew I had somehow failed. How could music this good have eluded me for 7 years? I realized it was time to stop telling people I was into industrial music, since clearly I couldn’t be without hearing of these guys.

They’re super-catchy industrial/electro/DJ/hip-hop brilliance. The lyrics are out there, kinda self-deprecating, ironic, tongue-in-cheek rambling. But I really dig the energetic vocals of frontman Little Jimmy Urine. Uh, yeah, that’s his stage name, only to be topped by other band member “Steve, Righ?” (sic). My only criticism is that they can be a bit repetitive, as there’s not a ton of variation between songs. Well, they’ve got their style and they’re sticking to it. And there’s plenty of remixes to go around, from some of the coolest industrial bands (Front 242, KMFDM, FLA, and many others).

They’re compared to… well, who cares? Thanks to the wonderous glory of YouTube, I shall regale you with hand picked videos, allowing you to judge for yourself. I’ve moved them to the “more” section, partly because they’re not safe for work (well, maybe if you have headphones), but mostly to make the page load faster (and not have your workplace think you’re visiting YouTube).

BTW, they’re touring on the east coast, including Asbury Park and Philly.

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Wolfmother Review

Imagine Marc Bolan backed by Black Sabbath while Ozzy was on a bender, and you’ve got a pretty clear idea of Wolfmother. Aussie Ozborne, if you will. If you’ve got a healthy taste for classic rock, by which I mean the hard stuff, you’ll find their self titled album pretty fanstastic.

I’m ever impressed by bands these days who really capture a particular sound from years past. Interpol, She Wants Revenge – those aren’t bands that are influenced by the Manchester music scene of the 80’s – they’re the real thing. Wolfmother does the same thing for 70’s rock. I seriously doubt there’s a modern instrument among them.

And cover art by Frank Frazetta for cryin’ out loud!

Some people think embracing an era that strongly is lame and unorginal. I’m of the opinion that it’s actually way harder to pull off than anyone gives them credit for. Also, it sounds awesome. Also, my opinions count more than other people’s. Sorry, that’s just a fact.

You’ve probably heard Woman by now, and maybe Dimension if you watched Dane Cook’s Tourgasm. Here are some other tracks I thought were particularly good:

White Unicorn: Just the title is evocative of the 70’s fantasy literature and art embraced by bands like Rush (did you know they had a song called The Necromancer? And another about trees fighting each other?) and Led Zeplin (who weren’t afraid to sing about Middle Earth).

Mind’s Eye: little slower, but with a rockin’ chorus. Keyboards remind me of The Who.

Love Train: Little funk, little Latin vibe thrown in.

Straight Outta Lynwood

Masterchief submitted a fantastic video from Weird Al, rapping White and Nerdy. There have been others who’ve explored nerd-core, which is a sort of running in-joke for nerds, but in rap form. Most of it is simply OK – amusing lyrics, but mediocre skillz. The quality of Weird Al’s stuff is far superior, but let’s face it – it’s a parody. He doesn’t come up with the original music. Nonetheless, this may be considered the archetypal nerd-core track.

Is Tower Falling?

Variety reports that Tower Records can’t pay its bills. So labels are holding off on sending it new stuff, which will probably make things worse, since new releases are typically the only CDs Tower sells at a reasonable price.

This is really about the death of the record store. I had been noticing the dwindling of the independent record store and small chains for years: Moby Disc, Penny Lane, Pyramid Music. (While I’m pointing out cool places, I see Poobah’s is still alive.)

And you know what? I’m to blame. Since subscribing to Rhapsody, I haven’t bought anything from a record store. Because when I step into a record store now, I feel nothing. No excitement, no sense of wonderment. Pretty much any music I want I can get on Rhapsody, and if I can’t get it, I’ll just browse and find something else I want. I took my first trip to Amoeba Music the other day, which in my college years would have been nothing short of a religious experience (just ask ZBalance). But I just looked around and thought, why bother? I can get all this stuff on-demand for my $10/month. Amoeba has a great DVD section, too, but I’ve got Netflix, so that does nothing for me, either.

Here’s the tricky part. As Rob Gordon might say, I’m a better “professional appreciator” because of it. I can find cool new things much easier, and explore them in much greater depth. When I find a band or artist I like, I generally listen to their whole catalog, especially if they’re a known influencer. If it’s something I might not like, I can just take a quick listen, fast forwarding and skipping through parts or tracks I don’t want to hear. I have become the audio equivalent of Galactus: Devourer of Discs, Eater of Albums.

So what replaces the cool record store? A so-called “lifestyle store”, with cool books, clothes, posters, toys, and other geegaws? Sounds almost like Urban Outfitters, now that I mention it. Still, it’s no Vintage Vinyl (which also appears to have passed on).

last fm

I just learned of last.fm and their Audioscrobbler plugin. Basically, if you have a compatible player, Audioscrobbler will capture everything you play and upload it to the last.fm mothership, where it will create a net radio station with stuff you should like, unless you listen to a lot of stuff you hate. It can also create you charts, hook you up with similar listeners, and offer feeds to embed in web sites or blogs like this one. Sadly, there’s no plugin for Rhapsody, but that already offers RSS feeds (see my page for an example). Rhapsody also has a radio station creator, but it’s pretty weak compared to Pandora‘s, and possibly last.fm’s.

Dani California… Sweet

Catchy tune, great video, and the Red Hot Chili Peppers are showing their long term relevance like few bands seem to be able to do these days . I enjoyed this song so much when I first heard it that I went to iTunes to purchase a copy, but sadly, my account info was garbled from a recent hard drive crash, so I didn’t buy it. I am oddly glad of this though, as it seems that this great song is destined to be overplayed on EVERY station I listen to, to the point where I will likely hate it before the full album is released May 9th. Hopefully the rest of the double album will live up to this single, yet somehow not get turned into jingles and get the Phil Collins era radio saturation that can ruin even the best album.