It’s the 8th anniversary of The Crack Team blog! To celebrate, I’ve once again gone through the list of Oscar-eligible films and selected the best of the bunch. I don’t believe in ranking them since many are hard to compare with each other, but I’ll break it down for you in terms of quality, enjoyability, and longevity.
Upon seeing this, I realized I’d just witnessed a new cult film, an homage to the gritty crime dramas of the 80’s. Gosling and Brooks give standout performances and the soundtrack is fantastic, but none of these will be recognized by the Academy due to oversight and technicalities. To be honest, I was a bit turned off by the trailer, mainly because Bryan Cranston looked like he was overacting. Truthfully, I’m not thrilled with his performance here, but everything else about this film rocks.
Here’s a film that has already been honored with Golden Globes and Oscars are in the works. I’m a classic film buff and felt this was exceptionally well done. While a silent film, it is scored very well. I also recommend the OSS-117 films from the same director/actor team. They’re a farcical French take on 60’s James bond (more like In like Flynt than the over the top Austin Powers). Very funny.
The Girl With The Dragon Tattoo
A riveting story with fascinating characters. I’d seen the Swedish version already and found this to be a faithful remake, but there are some subtle but interesting character interpretations. Another selling point for fans of the original is that director David Fincher brings along his fantastic cinematographer and Trent Reznor for the score, so it looks and sounds beautiful. This movie convinced me to start reading the books.
This is another film that people are granting cult status, although I don’t think as strongly as Drive. First thing to note is that in Ireland, Garda is police, so the American translation would be The Cop. It’s a dark comedy about a dirty cop (Brendan Gleeson, aka Mad Eye Moody of the Harry Potter films) and a straight laced visiting FBI agent (Don Cheadle of the new Showtime series House of Lies). If you enjoyed In Bruges (you did), then you’ll enjoy The Guard (you will). If you didn’t see In Bruges, fix that right away.
Harry Potter and the Deathly Hallows Part 2
The final chapter in the immensely entertaining and well crafted Harry Potter series. You either saw it and loved it, you’ve written off all things Harry Potter, or you’re putting off watching them all until you have time. Not much I can say to sway you either way. It won’t pick up any accolades for writing, directing, or acting (not that it shouldn’t, it’ll just never happen), but the beautiful art direction and special effects can’t be denied.
Martha Marcy May Marlene
A great psychological thriller and another Oscar surprise that Elizabeth Olsen wasn’t nominated. She does a tremendous job, and I might point out that some of that job is performed sans clothing, which is rather nice since she doesn’t suffer her more famous sisters’ eating disorder. Or lack of talent. John Hawkes also does a great job portraying the creepy yet charismatic cult leader.
Midnight in Paris
A fun, thoughtful comedy about appreciating the present. I’m a pretty huge Woody Allen fan so it’s no surprise this is on my list. It’s also his most financially successfully film to date, so if you’re not a fan of Woody you may still like this one. If you are a fan, I highly recommend the American Masters’ Woody Allen: A Documentary.
Our Idiot Brother
A great cast in a great comedy. I loved the tone of this film. In fact, I’m kind of surprised to see it has an R rating (although I can quickly recall the scenes that earned that rating) because its heart is in the right place. That said, you’re still laughing out loud throughout. A very recommendable film.
This is the most enjoyable and easily recommendable film of 2011. It’s ET meets The Goonies (it even takes place in 1980), only ET is bigger and angrier. J.J. Abrams directs, but Spielberg produces, and the classic Spielberg style is all over this. The kids in this are pitch perfect, too.
Tinker Tailor Soldier Spy
I was a fan of the original BBC miniseries, which runs over 5 hours, so I wasn’t sure how it would survive its run time getting chopped in half. But I didn’t miss a thing. The screenplay is very well crafted so the plot isn’t convoluted and doesn’t run at a breakneck pace. Of course, the acting is superb.
Diablo Cody followed up her Oscar winning screenplay for Juno with the awful Jennifer’s Body. Maybe that was the director’s fault, I don’t know, but she redeems herself with Young Adult (she may have redeemed herself with The United States of Tara, but I don’t watch that). She’s once again teamed up with Juno director Ivan Reitman and we have 2 more Oscar snubs for Charlize Theron and Patton Oswalt (plus one for the screenplay). At a minimum, it has the best single line of any of last year’s films.
We had some very good sci-fi films last year:
Hanna - would love to see a sequel to this
In Time - from the director of the excellent Gattaca
Source Code – from the director of the excellent Moon
And a couple top dramas:
The Ides of March
Margin Call – terrific screenplay, reminded me of Aaron Sorkin or Stephen Gaghan
Then there are the films that are just plain fun. These are the films where, if you liked the trailer, you’ll like the film:
X-Men: First Class
Mission Impossible: Ghost Protocol
Sherlock Holmes: A Game of Shadows
Thor (actually, I wasn’t stoked by the trailer, but really enjoyed this movie)