Drive
Upon seeing this, I realized I’d just witnessed a new cult film, an homage to the gritty crime dramas of the 80′s. Gosling and Brooks give standout performances and the soundtrack is fantastic, but none of these will be recognized by the Academy due to oversight and technicalities. To be honest, I was a bit turned off by the trailer, mainly because Bryan Cranston looked like he was overacting. Truthfully, I’m not thrilled with his performance here, but everything else about this film rocks.

The Artist
Here’s a film that has already been honored with Golden Globes and Oscars are in the works. I’m a classic film buff and felt this was exceptionally well done. While a silent film, it is scored very well. I also recommend the OSS-117 films from the same director/actor team. They’re a farcical French take on 60′s James bond (more like In like Flynt than the over the top Austin Powers). Very funny.

The Girl With The Dragon Tattoo
A riveting story with fascinating characters. I’d seen the Swedish version already and found this to be a faithful remake, but there are some subtle but interesting character interpretations. Another selling point for fans of the original is that director David Fincher brings along his fantastic cinematographer and Trent Reznor for the score, so it looks and sounds beautiful. This movie convinced me to start reading the books.

The Guard
This is another film that people are granting cult status, although I don’t think as strongly as Drive. First thing to note is that in Ireland, Garda is police, so the American translation would be The Cop. It’s a dark comedy about a dirty cop (Brendan Gleeson, aka Mad Eye Moody of the Harry Potter films) and a straight laced visiting FBI agent (Don Cheadle of the new Showtime series House of Lies). If you enjoyed In Bruges (you did), then you’ll enjoy The Guard (you will). If you didn’t see In Bruges, fix that right away.

Harry Potter and the Deathly Hallows Part 2
The final chapter in the immensely entertaining and well crafted Harry Potter series. You either saw it and loved it, you’ve written off all things Harry Potter, or you’re putting off watching them all until you have time. Not much I can say to sway you either way. It won’t pick up any accolades for writing, directing, or acting (not that it shouldn’t, it’ll just never happen), but the beautiful art direction and special effects can’t be denied.

Martha Marcy May Marlene
A great psychological thriller and another Oscar surprise that Elizabeth Olsen wasn’t nominated. She does a tremendous job, and I might point out that some of that job is performed sans clothing, which is rather nice since she doesn’t suffer her more famous sisters’ eating disorder. Or lack of talent. John Hawkes also does a great job portraying the creepy yet charismatic cult leader.

Midnight in Paris
A fun, thoughtful comedy about appreciating the present. I’m a pretty huge Woody Allen fan so it’s no surprise this is on my list. It’s also his most financially successfully film to date, so if you’re not a fan of Woody you may still like this one. If you are a fan, I highly recommend the American Masters’ Woody Allen: A Documentary.

Our Idiot Brother
A great cast in a great comedy. I loved the tone of this film. In fact, I’m kind of surprised to see it has an R rating (although I can quickly recall the scenes that earned that rating) because its heart is in the right place. That said, you’re still laughing out loud throughout. A very recommendable film.

Super 8
This is the most enjoyable and easily recommendable film of 2011. It’s ET meets The Goonies (it even takes place in 1980), only ET is bigger and angrier. J.J. Abrams directs, but Spielberg produces, and the classic Spielberg style is all over this. The kids in this are pitch perfect, too.

Tinker Tailor Soldier Spy
I was a fan of the original BBC miniseries, which runs over 5 hours, so I wasn’t sure how it would survive its run time getting chopped in half. But I didn’t miss a thing. The screenplay is very well crafted so the plot isn’t convoluted and doesn’t run at a breakneck pace. Of course, the acting is superb.

Young Adult
Diablo Cody followed up her Oscar winning screenplay for Juno with the awful Jennifer’s Body. Maybe that was the director’s fault, I don’t know, but she redeems herself with Young Adult (she may have redeemed herself with The United States of Tara, but I don’t watch that). She’s once again teamed up with Juno director Ivan Reitman and we have 2 more Oscar snubs for Charlize Theron and Patton Oswalt (plus one for the screenplay). At a minimum, it has the best single line of any of last year’s films.

Honorable Mentions

We had some very good sci-fi films last year:

Hanna - would love to see a sequel to this
In Time - from the director of the excellent Gattaca
Source Code – from the director of the excellent Moon

And a couple top dramas:

The Ides of March
Moneyball
Margin Call – terrific screenplay, reminded me of Aaron Sorkin or Stephen Gaghan

Then there are the films that are just plain fun. These are the films where, if you liked the trailer, you’ll like the film:

X-Men: First Class
Mission Impossible: Ghost Protocol
Sherlock Holmes: A Game of Shadows
Thor (actually, I wasn’t stoked by the trailer, but really enjoyed this movie)
Hugo

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Actually, this only goes so far. An employee from one of the companies in that list offered the following informative comment:

All of this data is public data. The data itself isn’t going away, opting out just makes people who want to find it have to look a little harder. As an example, I live in Washington State. The state provides a site to search through public records. From here I can directly see my marriage license and the land I own.

What these sites do is take all of this publicly available information (address history, phone numbers, marriage records, death records, criminal history, etc…) and consolidates it. Some sites with more success then others. Often this data is quite vague, and it can be very difficult to actually tie a record back to a specific person. The amount and accuracy of data on these sites is dependent on how “active” you are to the public eye. Get married a lot, have multiple crimes, there’s a pretty good chance the data on you will be quite full. But if you have a fairly low public footprint (young and single with few addresses and no criminal record) the data my be somewhat spotty, especially if you have a fairly common name.

The common name thing is a bit of a problem for me. Looks like when it’s time to go underground to escape the bad guys, I’m changing my name to James Smith.

1. Note this comes from someone with the handle LawyerCT.

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What irks me is that what attracted me to Netflix at first, and held me all these years, was how they catered to film buffs. This has ended. Example: for years, I’d rent the Harry Potter movies to prepare for the sequel, and really enjoyed watching all the extras. I’ll admit, I’m a huge Potter fan, so I appreciated that Netflix made available the extras disc. With great disappointment I discovered that for Deathly Hallows Part 1, only the rental version of the disc is offered. This version has only the movie and a personal invitation from Netflix to go fuck yourself. I’m kidding about the invitation – they couldn’t be bothered. I’ve been seeing an increase in these rental versions, which have zero extras, but tons of trailers and commercials that you can’t skip.² The Deathly Hallows rental includes a 6 minute commercial for the Wizarding World of Harry Potter. I can tell you that if you’re on the fence about visiting that wondrous place, being forced to watch a 6 minute commercial may resolve you to boycott it.

And I’m not being melodramatic when I say they don’t care. For one, their subscriber base has gone from 10M to 25M in the last few years, so they assume they’re doing the right thing. If you want concrete proof, go to their cancellation page. They threaten to charge you for discs you don’t return within 7 days, and let you know that even though you’re paid up through the month, you won’t get a partial month refund or even be allowed to continue streaming until it expires! But the most callous part is that they don’t even ask you why. No short answer box, not so much as a multiple choice question with lame answers. And there’s no other form on the site for critical feedback. They really don’t care why you’re leaving.

Well, good riddance. In place of Netflix, I’ll start renting from Amazon or PPV, and even though it will cost me more, I’ll make a greater effort to see films in the theater.³ With the money I save, I’ll invest in a nice collection of films on BD, which I frequently find on sale at SlickDeals. I think I’ll start with the Harry Potter Ultimate editions…

Update: I’m not the only one, as Netflix has revised their projections for this quarter downward, causing their stock to tumble. Sounds like they already factored in the massive subscriber exodus, which proves my point that they don’t care about it.

1. Although now that I’m on Cox cable, that will also be canceled when my contract is up.
2. Well, you can with some software, which you can read about here.
3. Note that all major theater chains allow you to buy premium discount tickets in bulk (50+), typically for less than $9 each. I go in with friends and split it.

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Extra credit if you’ve seen the excellent Korean thriller Oldboy (Amazon Prime members get free streaming).

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